Domenico Tintoretto

Italian, 1560-1635,Son of Jacopo Tintoretto. He was taught by his father and assisted him in his workshop. At the age of 17 he was admitted to the Venetian painters' guild, and he is recorded in the confraternity of painters from 1594. He began his career by helping his father to execute the paintings in the Sala del Collegio and Sala del Senato in the Doge's Palace, Venice. Following this he worked independently at the palace, on the Sala dello Scrutinio and the Sala del Maggiore Consiglio. His training with his father helped him in his own compositions, several of which, such as the Battle of Salvore, or the Second Conquest of Constantinople, are heroic battle themes with complex groupings and dramatic poses. In the last two decades of the 16th century Domenico concentrated on religious commissions in Venice, including a Last Supper and Crucifixion (both c. 1583) for S Andrea della Zirada (both in situ), a Marriage of the Virgin for S Giorgio Maggiore (in situ) and a Crucifixion for the Scuola dei Mercanti.


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Domenico Tintoretto The Circumcision oil


The Circumcision
Painting ID::  73963
The Circumcision
1587(1587) Oil on canvas 440 X 482 cm cjr
1587(1587) _ Oil_on_canvas _ 440_X_482_cm _ cjr
   
   
     

Domenico Tintoretto The Circumcision oil


The Circumcision
Painting ID::  75465
The Circumcision
Date 1587(1587) Medium Oil on canvas Dimensions 440 X 482 cm cyf
   
   
     

Domenico Tintoretto The Penitent Magdalene oil


The Penitent Magdalene
Painting ID::  80284
The Penitent Magdalene
ca. 1598(1598) Oil on canvas cjr
ca._1598(1598) _ Oil_on_canvas _ cjr
   
   
     

Domenico Tintoretto The Baptism of Christ oil


The Baptism of Christ
Painting ID::  80287
The Baptism of Christ
Oil on canvas cjr
Oil_on_canvas cjr
   
   
     

Domenico Tintoretto Portrait of a Gentleman oil


Portrait of a Gentleman
Painting ID::  80404
Portrait of a Gentleman
Portrait of a Gentleman, oil on canvas // Priv. coll Date 16-17 c, cjr
   
   
     

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     Domenico Tintoretto
     Italian, 1560-1635,Son of Jacopo Tintoretto. He was taught by his father and assisted him in his workshop. At the age of 17 he was admitted to the Venetian painters' guild, and he is recorded in the confraternity of painters from 1594. He began his career by helping his father to execute the paintings in the Sala del Collegio and Sala del Senato in the Doge's Palace, Venice. Following this he worked independently at the palace, on the Sala dello Scrutinio and the Sala del Maggiore Consiglio. His training with his father helped him in his own compositions, several of which, such as the Battle of Salvore, or the Second Conquest of Constantinople, are heroic battle themes with complex groupings and dramatic poses. In the last two decades of the 16th century Domenico concentrated on religious commissions in Venice, including a Last Supper and Crucifixion (both c. 1583) for S Andrea della Zirada (both in situ), a Marriage of the Virgin for S Giorgio Maggiore (in situ) and a Crucifixion for the Scuola dei Mercanti.

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